..........- The key surprises, especially in its contemporaneity and its interprêtée figuration, extrapolated.
It translates visions which, like a revealing objective, adapt each time to an aspect different from the subject. Thus, randomly as of its voyages, Alainjuno likes to put in strange scene of manner the landscapes which it meets and on these occasions, to inventory new fashions of expressions.
Its area attracts also Alainjuno, especially through the marines of Provence which it sometimes camps in a light interpretation and a romanticism which effleurent just the fabric by pointing out the art of the watercolour. Further, graphics bursts with force in the middle of the subject. Realism, irrealism, force and mixed softness… the painter multiplies appearances and plays of this alternative.
“Each subject is a universe, each spectator sees it with his manner, me to cause the voyage interior, suitable for each one “, specifies it. Each day, Alainjuno lives in the middle of the flowers and at the trees of its garden and is filled with wonder unceasingly at the splendour of the forms and the colors as well as tenacity, promptness which nature deploys to survive and to reproduce.

In painting, Alainjuno also cultivates “its extraordinary garden”. It is not a question only of the few arpents of ground which it maintains with passion and meticulousness, but as of this immense garden all around the ground as all can admire and have the duty to maintain and to preserve.
Another expensive topic with the artist, emulates of Epicure is the love which it dedicates to the Woman, flower among the flowers of its secret garden. It makes it pose and often imposes true physical tests worthy of the lianas and voluble plants of the forest to him. A sensuality which flashes back in its painting: sets of colors and forms which evoke the love as much as the pleasure of the directions. “Truths happinesses of the life! ”, this artist entrusts…. with the multiple facets.